Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"
Up a level- Library of Congress Subject Areas (1577)
- N Fine Arts (133)
- N Visual arts (General) For photography, see TR (39)
- N Fine Arts (133)
A
Allen, Marilyn and Matthews, Helen (2016) A Collaborative Game. Performance Research Journal, 21 (4). pp. 131-133. ISSN 1352-8165
D
Davies, Tim (2009) Kilkenny Shift. UNSPECIFIED.
Downing, Hannah (2022) Interfacing the screenic and painted surface: an artistic research project asking what can painting and drawing practice reveal of the contemporary practices and perceptions of touchscreen technology. Masters thesis, University of Wales Trinity Saint David.
Dyer, Nigel (2015) ‘How Does it Feel?’: Masculinity, Transformation and Structures of Feeling in British Television in the 1970s and 1980s. Doctoral thesis, University of Wales Trinity Saint David.
G
Giannoulatou, Ioanna Daphne and Januchowski-Hartley, Stephanie R and Sahni, Asha and Pawar, Sayali K and White, James C and Lockheart, Julia and Baranduin, Nina and Herbst, Doryn and Whittaker, Benjamin and Thackeray, Stephen J and Shooter, Robert and Darley, Judy and Thomas, Merryn (2022) Collaging to find river connections and stimulate new meanings. cultural geographies. ISSN 1477-0881
H
Holden, Shellie (2023) A splice of life (home, laptop, wi-fi). In: Representing Pasts – Visioning Futures, 1-3 December 2022, Queen’s University Belfast, Cape Peninsula University of Technology, National University of Singapore.
I
Ingham, Karen (2008) The Anatomy Lesson of Professor Moxham. In: Anatomy Live: Performance and the Operating Theatre. Amsterdam University Press.. ISBN 9789053565162
Ingham, Karen (2010) Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre. Journal of Anatomy, 216 (2). pp. 251-263.
Ingham, Karen (2009) Narrative Remains I. UNSPECIFIED.
Ingham, Karen (2009) Narrative Remains II. UNSPECIFIED.
J
Jenkins, Laura (2016) Can photography describe its own event? : the dissolving of the classical perspective in the concept of photography. Doctoral thesis, University of Wales Trinity Saint David.
Jones, Elizabeth Dilys (2013) Changing narratives of minority peoples' identities in Welsh and Basque film. Doctoral thesis, University of Wales Trinity Saint David.
K
Kang, Al Younghoon (2019) The Vanishing Point The Relevance of Traditional Art Methodologies to Digital Content Creation Pipelines. Masters thesis, University of Wales Trinity Saint David.
Keating, Richard (2018) Landscape Aesthetics in Practice: A critical enquiry into the development and use of an arts practice as a constructive intervention within the context of landscape change, community action, Green Infrastructure planning and delivery and Landscape Character Assessment processes. Doctoral thesis, University of Wales Trinity Saint David.
L
Lee, Nigel John (2018) A critical review of the current portrayal of Metamorphosia captured in print. Masters thesis, University of Wales Trinity Saint David.
Liggins, Andrea (2012) Barcode Wales: Beyond The Visible. Wales Institute of Research in Art & Design.
Liggins, Andrea (2011) Portraits: Creative Spaces. UNSPECIFIED.
Lord, Peter and Morgan-Guy, John (2013) Visual culture. In: Gwent County History. Volume 5, The twentieth century. University of Wales Press, Cardiff, pp. 274-282. ISBN 9780708326480
Lord, Peter and Morgan-Guy, John (2011) Visual culture. In: Gwent county history. Volume 4, Industrial Monmouthshire. University of Wales Press on behalf of the Gwent County History Association, Cardiff, pp. 252-264. ISBN 9780708323656
Luan, Duo (2017) Political history TV dramas and the representation of Confucian China : the regulation, emergence and politics of a new genre. Doctoral thesis, University of Wales Trinity Saint David.
M
Morgan-Guy, John (2002) What did the poets see? : a theological and philosophical reflection. Research papers of the Centre for Advanced Welsh and Celtic Studies (20). Canolfan Uwchefrydiadau Cymreig a Cheltaidd Prifysgol Cymru, Aberystwyth. ISBN 0947531963
R
Reynolds, Alun (2019) New visions / new insights : a critical examination of the Victorian photography album 900. Doctoral thesis, University of Wales Trinity Saint David.
Riley, Howard (2018) Aesthetic cognitivism: towards a concise case for doctoral research through practices in the visual arts. Arts and Humanities in Higher Education, 18 (4). ISSN 1474-0222
Riley, Howard (2024) Assessing Practice-based Research in the Visual Arts: A Proposed New Criterion. Studies in Graduate & Postdoctoral Education. ISSN 2398-4686
Riley, Howard (2014) Channels of vision and the poetics of drawing: Strategies for teaching. Arts and Humanities in Higher Education, 13 (3). pp. 201-216. ISSN 1474-0222
Riley, Howard (2024) The Domains of Aesthetics and Perception Theories: A Review relevant to Practice-based Doctoral Theses in the Visual Arts. Journal of Aesthetic Education, 58 (2). ISSN 1543-7809
Riley, Howard (2014) Drivers of creativity: how theory can inform contemporary practice in the art school curriculum and beyond. International Journal of Arts Education, 8. ISSN 2326-9944
Riley, Howard (2017) Interpreting Pictures: A Systemic-functional Model for Visual Imagery. New Semiotics: Between Tradition and Innovation. ISSN 2414-6862
Riley, Howard (2011) Relational Art as Social Semiotic. International Journal of the Arts in Society, 6. ISSN 1833-1866
Riley, Howard (2013) Visual art and social structure: the social semiotics of relational art. Visual Communication, 12 (2). pp. 207-216. ISSN 1470-3572
Riley, Howard (2020) The case for the primacy of visualcy within a neoliberal art school curriculum. Arts and Humanities in Higher Education. ISSN 1474-0222
Riley, Howard and Darlington, Michelle (2022) Drawing Matters. Art, Design & Communication in Higher Education, 21 (1). pp. 115-130. ISSN 1474-273X
S
Shail, Robert (2008) Seventies British Cinema. British Film Institute. ISBN 978-1-84457-274-8 hb
Southern, Alex (2016) The Ministry of Education Film Experiment From Post-War Visual Education to 21st Century Literacy. Palgrave Macmillan.
Stanley, Diana (2013) The decline in representations of the Virgin as mother in early post-reformation iconography. Masters thesis, University of Wales Trinity Saint David.
Stewart-Deane, Mark (2023) How Time Becomes (Mise En) Obsolete. Masters thesis, University of Wales Trinity Saint David.
W
Wylie, John and Webster, Catrin (2018) Eye‐opener: Drawing landscape near and far. Transactions of the Institute of British Geographers, 44 (1). pp. 32-47. ISSN 1475-5661
Y
Yang, Haiyun (2023) Human Theatre. Masters thesis, University of Wales Trinity Saint David.
Young, James (2023) Depths of the unreal. Masters thesis, University of Wales Trinity Saint David.